Na ocasião do encerramento da exposição "Em Profundidade: Campos Minados", de Alice Miceli, acontecerá no próximo sábado, dia 13 de junho, a partir das 15h30, uma conversa aberta ao público entre o curador da mostra Luiz Camillo Osorio e a artista.
A série é o desenvolvimento de um projeto realizado ao longo dos últimos anos, explorando territórios que passaram por conflitos sangrentos e que seguem matando mesmo depois de declarada a paz. Com curadoria de Luiz Camillo Osorio, a mostra apresentará ao público pela primeira vez a série completa de fotografias que investigam a permanência de campos minados no Camboja (2014), na Colombia (2015), Bósnia (2016) e Angola (2018). ⠀
Spring Seminar “Traumatic Landscapes”, Escola das Artes, Porto, Portugal, 2022
Spring Seminar “Traumatic Landscapes”, Escola das Artes, Porto, Portugal, 2022
There are places around the world on the brink of disaster, from nuclear sites to war-torn regions. But what stories and secrets lie hidden behind the veil of conflict or tragedy?
In conversation with curator Luiz Camillo Osorio, Alice Miceli explores narratives behind war and conflict photography and how it can be used to capture moments that may otherwise go unseen. She looks at the contrasting approaches of two renowned photographers, Robert Capa and An-My Lê, in terms of capturing the action versus gaining a broader perspective. Alice then relates these issues to her own work by examining minefields and Chernobyl, projects that raise questions about different impenetrable spaces and how the medium of photography can be used to tell their stories.
Key moments:
The most heavily mined place on Earth - 25:47
The convention of war photography - 28:11
Contaminated landscapes - 40:26
What a contaminated landscape means for non-humans - 41:17
Spring Seminar “Traumatic Landscapes”, Escola das Artes, Porto, Portugal, 2022
Spring Seminar “Traumatic Landscapes”, Escola das Artes, Porto, Portugal, 2022
There are places around the world on the brink of disaster, from nuclear sites to war-torn regions. But what stories and secrets lie hidden behind the veil of conflict or tragedy?
In conversation with curator Luiz Camillo Osorio, Alice Miceli explores narratives behind war and conflict photography and how it can be used to capture moments that may otherwise go unseen. She looks at the contrasting approaches of two renowned photographers, Robert Capa and An-My Lê, in terms of capturing the action versus gaining a broader perspective. Alice then relates these issues to her own work by examining minefields and Chernobyl, projects that raise questions about different impenetrable spaces and how the medium of photography can be used to tell their stories.
Key moments:
The most heavily mined place on Earth - 25:47
The convention of war photography - 28:11
Contaminated landscapes - 40:26
What a contaminated landscape means for non-humans - 41:17